A
Musical Education
I’ve been fortunate to
have a wonderful musical education. Though not very musical myself, I did
participate in band, the drum corps and chorus at school. Chum Crockett and
Winola Cooper taught me well. I also could keep a musical beat while learning
how to dance under Madelyn Drinkwater.
One of the most
memorable and educational musical experiences I ever had though is the time we
campers at Methodist Church Camp, or Mechawana, in Winthrop, Maine, got to go
see “The Mikado” at a theater in Monmouth, Maine, which is close to Winthrop.
My “twin cousin” Diane
Hilton and I were about 10 or 11 I think when we had the thrill of a lifetime
to see our very first professionally staged presentation. Gilbert and Sullivan
was a wonderful introduction to musical theater and we enjoyed every minute of
it.
I have tried to research
the theater we attended but have not been able to find it. I believe the
organization behind the Gilbert and Sullivan Theatre at that time was a
forerunner of the Theater at Monmouth which was founded in 1970. Diane and I
would have seen the “Mikado” sometime in the early 50s so this organization
didn’t exist then.
The Theater at Monmouth
is a year-round repertory company which was named The Shakespearean Theater of
Maine by the Maine State Legislature in 1975. Performances are held in Cumston
Hall which is listed on the National Register of Historic Buildings since 1976.
This may be the Hall we
went to that summer day so long ago, but I’m not sure. They still perform some
of Gilbert and Sullivan’s work. If you would like more information about this
theater and the 2013 schedule of performances, go to www.theateratmonmouth.org. You can also find educational
opportunities for children at this site.
It was recently
suggested to me that I may have seen the “Mikado” at the Monmouth Dinner
Theater. But from my research I see that is a mystery dinner theater and it too
probably didn’t exist in the early 50s.
In any event, Diane and
I had a wonderful experience that day. It was our first introduction to any
kind of a professional stage show. The closest we’d ever come to it before
would be one of the many local and amateur Minstrel shows with “Mr.
Interlocator” as the MC that abounded in the mid-coast area at that time. Of
course the black face used in those shows would never be used today.
I have many images of
that day in my head. As a kid, make-believe was always fun and exciting to me.
This show was the ultimate of make-believe. The “Mikado” was zany and fun. The
songs were upbeat and very dramatic at the same time. I was enthralled by the
dramatic gestures they made; by the beautiful oriental costumes with the makeup
to match.
As with most if not all
of the G&S operettas, songs are sung by a lead actor with a chorus behind
them who repeat what the actor is saying. It makes for a comic show which kept
us laughing and involved for the entire time we were there.
The biggest thrill of
the day though was after the performance when we got to meet the actors, some
still in their stage makeup. It was hard to believe that they really were not
the characters they acted out on stage.
Gilbert and Sullivan
W.S. Gilbert |
Arthur Sullivan |
W. S. Gilbert and Arthur
Sullivan created a partnership and collaborated on 14 comic operas between 1871
and 1896. Gilbert was the librettist and Sullivan was the composer. Of the operettas,
”H.M.S. Pinafore,” “The Pirates of Penzance,” and “The Mikado” are the best
known.
Gilbert created fanciful
worlds in which absurdities were common and are what made the operettas so
endearing to us. “Fairies rub elbows with British lords, flirting is a capital
offense, gondoliers ascend to the monarchy, and pirates turn out to be noblemen
who have gone wrong.” (Quotes from Wikipedia).
(From The MIT Gilbert
and Sullivan Players site)
“These operettas were
the forerunners of our modern musical. The songs and choruses—mostly light and
comic in nature—are interspersed with spoken dialogue rather than recitative.”
Though these operettas
are over a century old, they are still performed to packed audiences. Gilbert
chose Victorian society for his satire but his wit is as relevant today as it
was then. From “H.M.S. Pinafore,” Sir Joseph Porter sings: “I always voted at
my party’s call/ And I never thought of thinking for myself at all.” Those
words could just as easily belong to most or our modern politicians.
You will find pieces of
G&S in a lot of places these days from “The Muppet Show,” “Animaniacs,” and
“The Simpsons.” In 1982 Joseph Papp staged a successful production of “The
Pirates of Penzance” on Broadway, with Linda Ronstadt and Kevin Kline in two of
the leading roles.
Listen to a Song from the “Midado”
If you look up Gilbert
and Sullivan on YouTube you’ll find some great modern renditions of some of the
songs from the operettas. Here’s one of my favorites:
My experience in
Monmouth that day whetted my appetite for staged musicals. Later on I was
fortunate enough to see some summer theater as well as some Broadway touring
shows while I lived in Connecticut. I saw Dionne Warwick with The Temptations
in a theatre-in-the-round experience. I saw “Two by Two” with Nanette Fabray as
well as the touring show for “Grease,” among others.
In college I took a
theater course which was a lot of fun. At the end we did a play in which I played
the mother in “My Three Angels,” by Samuel and Bella Spewack. I played the mother, which is the woman in
the gray dress in the cast pictured here from www.coronadoplayhouse.com. It wasn’t a musical but was still a
lot of fun to do. The original play ran on Broadway in 1953 and had a year’s
run.
I even belonged to a
theatre group in Connecticut called The Mark Twain Masquers in which Peter Falk
was a member at one time. I did the set dressing for “Most Happy Fella,” a musical
with book, music, and lyrics by Frank Loesser. It originally had a 14 month run
on Broadway in 1956 and has had many revivals.
Set dressing is an
exhausting job and I was worn out by the end of our two weekend run. At one
point I had to put a stool on stage left in one scene under blackness and then
do the same thing to remove it in another scene. I must have lost ten pounds
during the process of staging, planning, and then the actual show. My cat at
that time, Sylvester, thought I had abandoned him as I had to board him with a
friend for the duration. I was holding down a full-time job at the same time
too.
If I have the
opportunity in the future I will most certainly attend any and all musically
staged shows I come upon. If there’s a
part for me somewhere on stage, I’m there, as long as I don’t have to actually
do any singing. We can never get enough musical education.
Last night we watched
the Oscars and when they came to the category for “Adaptation” I thought
wouldn’t it be nice if I saw something like this up there on the screen: “The
South End,” screenplay by Quentin Tarantino from the book by Sandra Sylvester.
I can dream can’t I?
Thanks for listening.