“Going where the weather suits my clothes…”
Everybody
was talking about the soon-to-be best picture of the year in 1970, “Midnight
Cowboy.” The year was 1969 and this movie is one of my favorites of all time.
Jon Voight plays Joe Buck, a greenhorn from Texas; and Dustin Hoffman plays
Ratso Rizzo, a street savvy New Yorker. I think those two roles are the best
these two actors have ever done.
The
theme song of the movie, “Everybody’s Talkin’” was a winner in its own right. I
always turned the radio up when it came on. Here’s a clip of that song sung by
Harry Nilson.
The
film was based on a book of the same name by James Leo Herlihy. The screenplay,
written by Waldo Salt, and directed by John Schlesinger, won three Academy
Awards for Best Picture, Best Director, and Best Adapted Screenplay. It is the
only X-rated film to ever win Best Picture.
Actually Dustin and Jon were nominated for Best Actor but they both lost out to John Wayne who won for "True Grit" that year.
Actually Dustin and Jon were nominated for Best Actor but they both lost out to John Wayne who won for "True Grit" that year.
As
the story goes, a naïve Joe Buck decides to try his luck as a hustler with the
rich women of New York City. He gets off the bus in the city dressed in his
cowboy clothes including a Stetson and cowboy boots. Whoever decided to have
Joe chewing gum was brilliant. With the gum chewing; the smirk on his face; the
clothes, the cowskin-covered suitcase; and the music, the character of Joe Buck
was defined in the opening scenes without a word of dialogue being spoken.
It’s not long before the character of Ratso
rips him off. The two end up as unlikely friends—the city slicker showing the
country boy how to make it in the city. Ratso Rizzo, a sickly yet street-wise
man takes Joe under his wings. He finds wealthy women for Joe, both hoping to
make a fortune from them. Here’s some of the dialogue between the two new
friends:
Ratso
Rizzo: “I gotta get outta here, gotta get outta here. Miami Beach, that’s where
you could score. Anybody can score there, even you. In New York, no rich lady
with any class at all buys that cowboy crap anymore. They’re laughin’ at you on
the street.”
Joe
Buck: “Ain’t nobody laughin’ at me on the street.”
Ratso:
“I’m walking here! I’m walking here!”
This
is probably the most famous line in the movie as Ratso, with his bad foot,
tries to cross a street and puts a hand out against a taxi who doesn’t want to
stop for him. I used those same words myself on a trip to NYC. I just couldn’t
resist that opportunity to be a real New Yorker if even for just a few seconds.
Actually,
the appearance of the taxi was not scripted. When it appeared in the shot,
Dustin automatically said the line and the director decided to keep it in.
I
always wondered if Dustin Hoffman had to go through physical rehab after they
were through shooting the film for the foot he dragged all through the movie as
Ratso. They put pebbles in that shoe to remind him to limp on it.
Here’s
another moment between friends:
Ratso:
“You know, in my own place, my name ain’t Ratso. I mean, it just so happens
that in my own place my name is Enrico Salvatore Rizzo.”
Joe
Buck: “Well, I can’t say all that.”
Ratso:
“Rico, then.”
And
Joe did call him Rico after that.
As
Ratso’s health continued to worsen, (we assume he had tuberculosis) Joe took
the bull by the horns and decided to take his friend on a bus to Miami as Ratso
had suggested earlier. He ditched his cowboy clothes and bought short-sleeved
shirts for the both of them and together they boarded the bus.
He
was hoping that where “the weather suits my clothes” was true and that the warm
weather would cure his friend.
The
scene on the bus where Ratso dies is probably the saddest scene I’ve ever
witnessed on the silver screen. Here’s a clip of that scene:
“Midnight
Cowboy” has been called one of the best movies of all time. I would agree. Things
haven’t changed much as far as the theme of this movie goes. Today there are still lost souls like Joe and
Ratso in every big city. They are also ignored by the bulk of the population
just like they were in “Midnight Cowboy.” I think of that movie every time I
see similar scenes on whatever big city street I may be on at the time. Here’s
to lost souls everywhere.
Thanks
for listening.
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